K-pop and Latin America are forming a powerful new cultural connection through major concerts and festival appearances. SEVENTEEN and Stray Kids led this movement by performing at large-scale events in Mexico and Brazil. Their success reflects the growing influence of K-pop in Latin America’s music scene and fan culture.
K-pop and Latin America at a Cultural Turning Point
In recent years, Latin America has quickly emerged as a powerful and promising new territory for K-pop. Recent developments strongly support this shift. Two major groups, SEVENTEEN and Stray Kids, have taken the lead in this movement. They act as a kind of one-two punch in the growing cultural exchange between Korea and Latin American countries.
Both groups have made significant strides in the region. They staged large-scale performances that show their global appeal and prove Latin America is no longer a distant dream. It is becoming a fully realized and enthusiastic market. These performances aren’t just concerts; they mark meaningful steps in K-pop’s expanding global influence.
SEVENTEEN Headlines Mexico’s Largest Outdoor Music Festival
SEVENTEEN made headlines by taking the main stage at Tecate Pa’l Norte, the largest outdoor music festival in Latin America and often referred to as “Mexico’s Coachella.” Held in Monterrey’s Fundidora Park, their performance took place on April 4 at 8:20 p.m. local time. As the headliner—an honor that often defines the entire event—they performed over 13 songs in a tightly packed one-hour set on the festival’s main “Tecate Light” stage.
This appearance marked the first time a K-pop artist has headlined this festival, and the response was overwhelming. The crowd’s energy and excitement elevated the moment into something historic, showcasing just how far K-pop has come. SEVENTEEN shared the spotlight with some of today’s biggest global names, including Olivia Rodrigo, Green Day, Benson Boone, and Charli XCX, further emphasizing their standing as global top-tier performers.
Stray Kids Electrify Massive Crowds in Brazil
Just days before SEVENTEEN’s landmark appearance, Stray Kids kicked off their Latin American tour by launching their world tour dominATE in Brazil. On April 1, they performed at Estádio Nilton Santos in Rio de Janeiro, a stadium once used for FIFA World Cup matches. Approximately 55,000 fans gathered to see the group live, completely filling the venue and creating an electric atmosphere that proved the group’s ability to draw massive crowds, even thousands of miles from home.
This wasn’t a one-time phenomenon either. Their next stop includes a two-night performance at Morumbi Stadium in São Paulo on April 5 and 6. Each night, the venue is expected to welcome up to 60,000 fans. This kind of consistent turnout in multiple cities reflects the strength of their fan base in Latin America and shows that their influence reaches far beyond Asia or North America.
Expansion of K-pop Beyond Borders into Latin America
For years, Latin America was seen as a logistical challenge for K-pop—geographically distant, expensive to access, and low in feasibility despite fan enthusiasm. The passion was always there, but the practical difficulties often kept Latin American stops off the touring schedules of many Korean artists.
However, that’s quickly changing. The explosive growth of K-pop fandoms across Latin America is reshaping the industry’s view of the region. These fan communities are now large and dedicated enough to offset the costs and justify full-scale performances. The response from audiences in Brazil and Mexico is only the beginning; it’s a clear signal to agencies and artists that Latin America deserves to be part of the regular global circuit. The barrier of distance no longer outweighs the opportunity for connection, growth, and impact.
Fans in Korea Witness the K-pop Surge in Latin America
Back in Korea, fans closely followed SEVENTEEN’s journey to Tecate Pa’l Norte with pride and excitement. Online communities such as Instiz filled with congratulatory posts and real-time reactions. Fans tracked their departure and eagerly anticipated the performance. However, excitement was mixed with disappointment, as the festival was not streamed or broadcast in Korea. Many fans felt left out of a historic moment. Unable to watch it live, they turned to fancams uploaded on YouTube by attendees. These clips helped them catch glimpses of the performance and share in the experience secondhand. These homemade videos became a lifeline for Korean fans. They wanted to feel part of SEVENTEEN’s breakthrough moment in Latin America, even from afar. It was a reminder of both the global reach of K-pop and the limits of sharing those moments equally across borders.

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I would had a blow horn
🗣📣 calling out to Stray Kids.